Masonry in the Media: Amber Palace, Brandenburg Gate, & More

Words: Lily Burger
Photos: swisshippo, QQ7, venemama, Anup Dabhade, TommL, Noppasin

The impressive masonry structures around the world make up the scenery in each of these films as they can transport the audience to the past or demonstrate the strength of timeless masonry to the viewer at home. Each structure adds to the stories they are in while providing real world examples of remarkable masonry.

Leaning Tower of Pisa - Superman III (1983)
The Leaning Tower of Pisa, constructed between 1173 and 1372, is a freestanding bell tower for Pisa Cathedral. Built in three phases over nearly 200 years due to wars and instability, its lean began during early construction due to a shallow foundation on soft, unstable subsoil. The pause allowed soil compression, ironically stabilizing the structure. Composed mainly of white marble and limestone, the tower exemplifies Romanesque architecture. Its masonry significance lies in its resilience—builders adjusted the upper floors to counter the tilt. Modern stabilization efforts have preserved it as a testament to medieval engineering and adaptive construction techniques.

In Superman III (1983), the Leaning Tower of Pisa features in a comedic subplot where Superman, under the influence of synthetic kryptonite, straightens the iconic tower. This act humorously disregards its historical and architectural value. The tower’s masonry significance—its enduring lean caused by foundational instability and masterful medieval adjustments—symbolizes the ingenuity of ancient builders. By "correcting" the lean, Superman disrupts centuries of adaptive engineering, unintentionally highlighting how the tilt itself is a triumph of masonry problem-solving. The film’s reversal (where the tower is later re-leaned) underscores that its architectural identity and cultural resonance are inseparable from its flawed foundation.

Amber Palace - North West Frontier (1959)
The Amber Palace, also known as Amer Fort, was constructed in 1592 by Raja Man Singh I near Jaipur, India, and expanded by successive rulers. Built on a hilltop, it combines Rajput and Mughal architectural styles. The palace is primarily constructed from red sandstone and white marble, showcasing intricate carvings, mirror work, and lattice masonry. Its robust stone construction enabled both defense and grandeur, while the ornate detailing in halls like Sheesh Mahal reflects advanced craftsmanship. The fort’s masonry significance lies in its blend of structural strength with delicate ornamentation, exemplifying how fortified architecture can also achieve artistic and cultural expression.

In North West Frontier (1959), the Amber Palace serves as a dramatic backdrop, standing in for a royal palace in British India. Its robust masonry—red sandstone and white marble—enhances the film's themes of colonial tension and resilience. The fort's imposing walls, arched gateways, and intricate detailing provide an authentic setting that underscores both historical grandeur and strategic defense. Its enduring construction mirrors the characters’ struggle for survival amid conflict. By using Amber Palace, the film unintentionally highlights the fort’s masonry brilliance: a structure built for strength and beauty, now immortalized in cinema as a symbol of endurance and legacy.

Brandenburg Gate - One, Two, Three (1961)
The Brandenburg Gate, completed in 1791 in Berlin, was commissioned by King Frederick William II of Prussia and designed by Carl Gotthard Langhans. Inspired by the Propylaea of Athens, it embodies neoclassical architecture with twelve Doric columns and a sandstone façade sourced from local quarries. Originally a symbol of peace, it later became a potent emblem through periods of division and reunification in German history. Its masonry significance lies in its monumental scale and precision-cut sandstone blocks, showcasing 18th-century craftsmanship. The gate’s enduring stone structure has withstood war, neglect, and restoration, symbolizing resilience and the power of civic architecture.

In One, Two, Three (1961), the Brandenburg Gate serves as a powerful visual and symbolic marker of Cold War Berlin, dividing East and West. Its neoclassical sandstone masonry—rooted in ideals of unity and peace—ironically contrasts with the era’s political tension depicted in the film. As characters navigate between ideologies, the gate’s imposing, symmetrical structure underscores the absurdity of division. Its enduring stonework, crafted with Enlightenment precision, becomes a silent witness to ideological conflict. In Billy Wilder’s satire, the Brandenburg Gate is more than scenery—it’s a metaphor, where timeless masonry architecture frames fleeting geopolitical absurdities with enduring historical weight.

Masonry in the Media: Amber Palace, Brandenburg Gate, & More

About: Masonry in the Media

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